The paper prints the police’s version anyway—under the journalistic theory that it’s better to be first with the news than factual—leaving Carter all but alone to find the real story. He enlists the aide of Tina Thompson, the paper’s smoking hot city editor, to run interference for him at the office; Tommy Hernandez, the paper’s gay Cuban intern, to help him with legwork on the street; and Tynesha Dales, a local stripper, to take him to Newark’s underside. Soon, Carter learns the four victims have one connection after all, and this knowledge will put him in the path of one very ambitious killer.
First Line: "With all the vacant lots in Newark, New Jersey - and there were thousands of them - the Director could afford to be picky."
Random Quote: "We drove in comfortable silence for a while and I felt pleased with my progress. In order to tell any story successfully, you have to cross the threshold where your source stops looking at you like a reporter and starts seeing a fellow human being. I thought - I hoped - I had just reached that point with Tynesha."
Review: I don't know a whole lot about Newark although I admire Cory Booker, their mayor. This is the second crime book I've read that was set in Newark and I still don't know much about it. I like a strong sense of place and this book just doesn't deliver that providing, instead, a sort of generic inner-city setting. That, ultimately, is the fundamental problem with the book - it's all sort of generic. The intrepid reporter, the queeny intern, the lusty editor, the lippy stripper - every one of these characters is generic and stereotyped. How disappointing is that?
FTC Disclosure: San Leandro Public Library
Rating: White


What a disappointment. I hate it when a crime thriller is so generic, especially when it's set in a gritty city like Newark!
ReplyDeleteIf a book is set in a specific city, I feel like there needs to be a lot of local atmosphere.
ReplyDeleteIt is so sad when a thriller doesn't come through! Good thing you didn't buy it.
ReplyDelete