First Line: "This is not my story."
Random Quote: "The more carefully I watch her, the longer I spend sitting here in this small grey room with her, the more ordinary she will seem. It's like when you can't bear to look at a picture of some gruesome deformity because you're too squeamish. When you eventually force yourself to stare it and familiarise yourself with all its details, it soon becomes something mundane, nothing to be scared of at all."
Review: Sophomore efforts often misfire - even sophomore years tend to be sort of mildly dreadful and a letdown after all the discoveries of being a freshman. This book, however, is really good and redeems the author for me after the utter disaster of Little Face
Hannah's device of alternating perspective from first-person to third-person by chapter is still here, but as in The Wrong Mother, it is much less distracting as a device than it is in Little Face. The difference is that the story utterly compelling and distinctive as are the characters. This novel kept me reading and reading on the edge of my seat as I waited for her to play out all the strings. I found the story and the characters believable and convincing and interesting psychologically. The story is definitely disturbing, but it's well-written and doesn't cut corners or shy away from the complexity of human relationships.
This was a great read and redeemed Hannah for me. I look forward to her fourth novel.


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The wrong Mother was my first read by her and I considered not reading others. Looks like she has a style of an amazing 1st liner.
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